Completed just before legendary music photographer Jim Marshall's death, "Pocket Cash" brings us unique moments from the illustrious career of The Man in Black. From never-before-seen photos of intimate gatherings to iconic pictures of his live recordings at Folsom and San Quentin state prisons, this is a visual tribute to the legendary signer, and to his wife, June Carter Cash. Billy Bob Thornton and Kris Kristofferson offer personal recollections, while John Cater Cash, in a heartfelt introduction, shares memories of his world-renowned parents and reflects on the unique artistic eye of Jim Marshall. "Pocket Cash" is a covetable collection for loyal Cash fans everywhere and a testament to the talents of an extraordinary photographer.

Even if you don't know legendary rock photographer Jim Marshall, you know his photographs: Jimi Hendrix setting his guitar on fire onstage at Monterey, Johnny Cash flipping the bird onstage in Folsom Prison, Miles Davis boxing at Newman's Gym, Jim Morrison taking a puff and more. Marshall's book is filled with never-before-published images mixed with his classics, along with the stories behind them. Marshall explains his access to the biggest names in rock in the forward, "Whenever anyone asks me how I got the photographs I did, why I was often the only photographer present or got such unique access, I reply simply, 'Trust.' "

An unexpected trove, Jim Marshall's portraits of the jazz greats are as wonderful as his legendary work with rock musicians (most recently enjoyed in "Jim Marshall: Proof"). The access his subjects allow him and their obvious ease around him give these photographs an unequalled intimacy. This portfolio of Marshall's favorite shots shows the classics of jazz onstage, backstage, in the studio and also in their kitchens and living rooms. Ray Charles, Duke Ellington, Sarah Vaughan, John Coltrane, Miles Davis, Thelonious Monk, Coleman Hawkins Marshall's images capture these faces and many, many more in authentic and unguarded moments. Jazz critic Phil Elwood provides an introduction, and captions throughout present Marshall's reminiscences in his own words, making this book a must-have for both jazz and photography aficionados. By turns illuminating and haunting, "Jim Marshall: Jazz" confirms his place as one of the great portrait photographers.

The Beatles racing across Candlestick Park at the end of their final public performance; Johnny Cash pausing to give the camera a middle finger salute before playing for inmates in San Quentin; a weary Janis Joplin backstage, keeping a whiskey bottle company. Jim Marshall captured each of these iconic images with his camera. But what of the other shots taken during these legendary moments? For the first time, Marshall shares his contact sheets from the sittings, concerts, and sessions that surround his most famous pictures. Over sixty proof sheets are featured in their entirety, along with the final chosen hero shot on the facing page. This book sheds new light on Marshall's talents for revealing on film the essence of his subjects, from celebrated musicians, actors, writers, and performers, to everyday people from San Francisco to rural Appalachia. A rare glimpse into a great photographer's creative process, "Proof" provides a behind-the-scenes look at the making of some of the most preeminent images of our time.

"Not Fade Away: The Rock & Roll Photography of Jim Marshall" collects the best of Jim Marshall’s photography for the first time-and gives us an electrifying visual history of the rock & roll era that is unprecedented in its intimacy, immediacy, and impact. The 124 duotone images include virtually every artist in the rock pantheon, from Muddy Waters to Janis Joplin, the Rolling Stones and the Red Hot Chili Peppers. With a forword by actor-producer Michael Douglas, a feature article profiling Jim Marshall by Jon Bowermaster and extended captions that detail the stories behind the photographs." Not Fade Away" was the first book of its kind and sold more than 50,000 copies.

“In the same way that you can’t separate John Coltrane or Miles Davis from their music, you can’t separate Jim Marshall from his photographs. He captures the soul of each musician and immortalizes us in liquid light.”
—Carlos Santana

It was the Summer of Love—two years before the hysteria of Woodstock—and those three days at the Monterey County Fairgrounds in June 1967 captured the sound of a new generation. Within months, unknowns such as Jimi Hendrix and the Experience, The Who and Janis Joplin would be world-famous. But at the Monterey Pop Festival, they were just staking their claim on the future of rock. "Montery Pop" features over 100 photographs of the event, taken by legendary photojournalist Jim Marshall and accompanied by an in-depth text by Joel Selvin that includes firsthand recollections from such participants as David Crosby, Jerry Garcia, Country Joe McDonald, Al Kooper and many others.